Afterall is a non-profit research and publishing organisation. We are dedicated to the study of contemporary art and rely on the kind support of both individuals and institutions to commission and disseminate our work.
Supporters are acknowledged in our journal and on our website.
To offer support, or for more information about supporting Afterall, please email j.cronin[at]afterall[dot]org.
We would especially like to thank the following individuals for contributing to the success of the Afterall benefit auctions in 2000, 2004, 2007 and 2011:
Tomma Abts, Laylah Ali, Paweł Althamer, Hurvin Anderson, Ibon Aranberri, Edgar Arceneaux, Jean-Michel Attal & Charlotte Gounant-Attal, Monika Baer, Mirosław Bałka, Fiona Banner, Marie-Claude Beaud, Julie Becker, James Benning, Walead Beshty, Pierre Bismuth, Jennifer Bornstein, Alex Branczik, Pablo Bronstein, Glenn Brown, Pavel Büchler, Craig Burnett, Renate Buschmann, Gerard Byrne, Alistair Carr, John Carson, Marc Camille Chaimowicz, Spartacus Chetwynd, Adam Chodzko, Michael Clark, Phil Collins, Tommaso Corvi-Mora, Martin Creed, Aud and Paolo, Dexter Dalwood, Enrico David, Tacita Dean, Jeremy Deller, Thomas Demand, Dexter Sinister, Thea Djordjadze, Peter Doig, Trisha Donnelly, Sam Durant, Benoit Duverger, Maria Eichhorn, Tim Eitel, Olafur Eliasson, Ceal Floyer, Bill Furlong, Charles Gaines, Ryan Gander, Isa Genzken, Liam Gillick, Douglas Gordon, Antony Gormley, Rodney Graham, Graham Gussin, Rachel Harrison, Mona Hatoum, Drs. Lynn Hauser & Neil Ross, Richard Hawkins, Mary Heilmann, Flora Hesketh, Matthew Higgs, Roger Hiorns, Maja Hoffmann, Pierre Huyghe, IRWIN, Sanja Ivekovic, Joan Jonas, Lisa Junghanss, Ilya Kabakov, Stefan Kalmár, Alan Kane, Emma Kay, Mike Kelley, Janice Kerbel, Jutta Koether, Joseph Kosuth, Surasi Kusolwong, Jim Lambie, David Lamelas, Louise Lawler, Serge Le Borgne, Cornelia Grassi, Malcom Le Grice, Judy Linn, Sharon Lockhart, Richard Long, Anne Lydiat, Christina Mackie, Goshka Macuga, David Maljkovic, Tim Marlow, Kerry James Marshall, Daria Martin, Paul McCarthy, Julie Mehretu, Alan Michael, Shabin Mohamed, Jonathan Monk, Sarah Morris, Amaury & Sandra Mulliez, Laura Mulvey, Rosalind Nashashibi, Olaf Nicolai, Cristina Noghes-Menio, Nils Norman, Elisa Nuyten, Patrick Painter, Seb Patane, Toby Paterson, Dan Perjovschi, Manfred Pernice, Marjetica Potrč, Richard Prince, Florian Pumhösl, Alessandro Raho, Michael Rakowitz, Cristiano Raimondi, Yvonne Rainer, Tobias Rehberger, Bob Rennie & Carey Fouks, Rennie Collection, Olivier Richon, Daniel Richter, David Roberts, Ellen Roland, Allen Ruppersberg, Ed Ruscha, Alex Sainsbury and Elinor Jansz, Anri Sala, Wilhelm Sasnal, Thomas Scheibitz, David Schnell, Maaike Schoorel, Indre Serpytyte, Joe Shlesinger & Samara Walbohm. Yinka Shonibare MBE, Andreas Slominski, Pete Smithson, Sean Snyder, Nedko Solakov, Polly Staple, Frances Stark, Simon Starling, Jemima Stehli, Joanna Stella-Sawicka, Lily van der Stokker, SUPERFLEX, Anne Tallentire, Silke Taprogge, Wolfgang Tillmans, Hayley Tompkins, Sue Tompkins, Rosemarie Trockel, Luc Tuymans, Chris Wainwright, Jeff Wall, Rebecca Warren, Lawrence Weiner, Matthias Weischer, Neil Wenman, Richard Wentworth, TJ Wilcox, Christopher Williams, Jane and Louise Wilson, Catherine Wood, Richard Woods, Richard Wright, Cerith Wyn Evans, and Andrea Zittel.
Afterall supporters include: Anonymous, The George and MaryLou Boone Fund for Artistic Advancement, The Capital Group Companies Charitable Foundation, Drs. Lynn Hauser & Neil Ross, Janet Sternburg, Dr Steven D. Lavine, The Glasshouse Trust and Helen Zell. We could not have developed Afterall Books without additional support from Arts Council England's Grants for the Arts, Arts and Humanities Research Board, British Academy, relations, Culture 2000 programme of the European Union, Ministry of Culture of the Republic of Slovenia, American Center Foundation and The Henry Moore Foundation.
Afterall journal and Afterall Books are published by
Central Saint Martins College of Art and Design. The journal is
published in association with the Museum of Contemporary Art,
Antwerp (M HKA); the Smart Museum of Art and the Open Practice
Committee, University of Chicago; and Universidad Internacional de
Andalucía (UNIA) arteypensamiento, Seville. We are very grateful
for the enthusiasm and commitment of these institutions and also
for the dedicated support given by California Institute of the Arts
and the Getty Foundation over recent years. The Afterall Books
Exhibition Histories series is being produced in
partnership with the Academy of Fine Arts Vienna; Center for
Curatorial Studies, Bard College, Annandale-on-Hudson; and the Van
Abbemuseum, Eindhoven. This research project also received vital
seed funding from MUDAM, Luxembourg.
Afterall is an Arts Council England National Portfolio Organisation