Jess Baines looks back at London's printmaking workshops of the 1970s and 80s, DIY sites of political and community activism that rejected the traditional role of the artist to participate in a network of campaign groups, radical publishers and alternative distributors.
Film-maker Duncan Campbell speaks to Tate curator Stuart Comer about his new film, Make it new John, a combination of documentary and fiction chronicling the automaker John DeLorean.
Looking at 'rebelle', a recent exhibition at the Museum of Contemporary Art in Arnhem, Hendrik Folkerts considers what it means to write a history of feminism.
This year Semiotext(e) republished The German Issue, a compendium of French and German theory edited by Sylvère Lotringer in 1982. Annette Weisser looks back at its appearance in the German intellectual context at the time, and considers what its reissue suggests now.
Jess Baines looks back at London's printmaking workshops of the 1970s and 80s, DIY sites of...
Film-maker Duncan Campbell speaks to Tate curator Stuart Comer
about his new film, Make it new...
Looking at 'rebelle', a recent exhibition at the Museum of Contemporary Art in Arnhem, Hendrik Folkerts...
This year Semiotext(e) republished The German Issue, a compendium of French and German theory edited by...
Pip Day, Pablo Lafuente and Maria Muhle discuss what the 2009 Istanbul Biennial means for the...
In this video essay, Sarah Pierce excerpts four Irish-language television programmes from the 1950s and 60s...
Trespassing in an industrial yard in the south Bronx, Mary Walling Blackburn comes into contact with...
In our Artists at Work series, Audrey Chan interviews Patrick Bernier and Olive Martin, whose mock-courtroom...
Afterall's first photo-essay, by Polly Braden and...
Matthew Green considers the importance of maps and topography to current historiographical accounts, as in the...
The origin of much of Stephen Prina's work lies in his appropriation of cultural artefacts. Whether...
Since the Velvet Revolution in 1989 the Czech art scene has undergone a number of...
'Does realism have any native counterpart in Asian aesthetics?' With this question the Thailand-based curators Gridthiya...
The recent group exhibition 'Après Crépuscule' ('After Twilight') at the Cologne Kunstverein revealed the hermetic world of...
Less a theme and more a mood, uncertainty seems to be the unlikely anchor of...
In 1937 Kurt Schwitters fled Germany, fearing arrest by the Gestapo, and travelled to the northwest...