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Art Becoming Public

Curating ‘global contemporary art’

How are understandings of the ‘global’ and the ‘located’ differently shaped through contemporary art presented to publics in disparate contexts and times? Including projects explicitly presenting global contemporary art and those focused instead on the transnationalism within nationalism or continental and diasporic practice.

This topic is built using the following items. The Third Havana Biennial (1989), ‘Magiciens de la Terre’ (1989), The 24th Bienal de São Paolo (1998) FESTAC ’77: The 2nd World Black and African Festival of Arts and Culture, Art Exhibitions in Shanghai (2000) and ‘The Other Story’ (1989)