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Virtual Tower, ‘Virtual’ Pit: On Potentiality and the Status of Unrealised Art

Lygia Pape, Divisor, 1967, performance at MAM, Rio de Janeiro, 1990. Courtesy Projeto Lygia Pape

Essay Publish date: 11 nov 2020

Essay written by Amber Husain

This article is part of Afterall Journal 50

Amber Husain examines the relationship between virtual art and the politics of possibility, with reference to the works of Valdis Celms, Vladimir Tatlin, Lyubov Popova, Netochka Nezvanova, Lygia Pape and Hito Steyerl.

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