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Boris Charmatz: An Architecture of Attention

Boris Charmatz, Levée des conflits, 2010, performance, still. Photograph: Caroline Ablain. Courtesy Musée de la danse, Rennes
Looking at Boris Charmatz’s choreography and his project Musée de la danse, Catherine Wood argues that Charmatz reconstructs institutional frames into new spaces of attention, emanating from a dancer’s perspective.

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