‘How the political world crashes in on my personal everyday’: Lubaina Himid’s Conversations and Voices: Towards an Essay About Cotton.com

Lubaina Himid, Naming the Money, 2004. Installation view, Hatton Gallery, Newcastle. Photograph: Mark Pinder. Courtesy Hatton Gallery, Newcastle University (Tyne & Wear Archives & Museums

Essay Publish date: 07 mar 2017

Griselda Pollock

This article is part of Afterall Journal 43

Griselda Pollock traces Lubaina Himid’s creative trajectory as she articulates her presence and singularity as an artist.

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