Afterall: Art, Context and Enquiry
Browse content or refine search:
Displaying: 2 items for tag “Michael Fried”
Belinda Bowring finds in the recent re-performance of Jack Goldstein's Two Boxers (1979) a 'presentness' that elides many of the problems of re-staging past performances.
David Everitt Howe writes on the tension between form and discourse in Martin Beck's practice, suggesting that it critically mimics current neo-formalist trends in art.