Maria Thereza Alves and Don Genaro Amaro Altamirano were joined by Ana Bilbao to discuss The Return of a Lake (2012), a work by Alves produced in collaboration with the Museo Comunitario del Valle de Xico, Mexico.

Nikita Alekseev and Vadim Zakharov were joined by Margarita Tupitsyn to discuss the APTART ‘anti-shows’, that took place in Moscow between 1982 and 1984.

Franco ‘Bifo’ Berardi joined Laura Mulvey and David Campany to discuss the October Revolution and its artistic and cultural legacy.

To coincide with the publication of Anti-Shows: APTART 1982–84, Maja Fowkes and Reuben Fowkes survey the chaotic landscape of unofficial, apartment and ‘alternative’ art in Eastern Europe during the 1980s.

Bart de Baere joins Charles Esche to discuss ‘This is the show and the show is many things’, an exhibition that took place at S.M.A.K, Ghent in 1994, alongside related events.

First published to accompany Phase (I) of ‘We Are the Center for Curatorial Studies’, at the Hessel Museum of Art, NY, Chris Kraus draws on the lives and work of Julie Becker, Arthur Felberbaum and Ruth Maleczech, amongst others, in a series of eight short and speculative reflections.

David Toop joined David Morris to discuss ‘Sonic Boom: The Art of Sound’ (2000), an exhibition that took place at the Hayward Gallery, London.

T.J.Demos discusses the industry of death through an examination of the recent work of Oreet Ashery.

On the occasion of his first major survey show Nicholas Mangan talks to George Clark about his installation practice, reflecting on humanity’s relationship with the natural environment and the complex dynamics of the global political economy.

David Lamelas speaks to Neus Miró about how time, space and language has influenced his work.

Ruth Ewan discusses her 2015/16 work Back to the Fields with Chris Fite-Wassilak.

Bryony Gillard and Louis Hartnoll talk to Simone Forti about her animal studies, collaboration and drawing as a tool for thinking.

Tanja Baudoin talks to Barbara Visser about how her works reappear and transform over time.

Ger van Elk has died aged 73. His passing is a great loss to the Dutch and international art world and we are remembering him by making an interview from our first Exhibition Histories book available here.

Catherine Sicot talks with Candelario and Aurélie Sampeur about LASA, their art collective and residency programme in San Agustín, a suburb on the outskirts of Havana.

Erika Vogt speaks to Adam Putnam about the overlapping articulation of object, image and film in her practice.