Steve Klee discusses the 'strange state' of Aernout Mik's videos in relation to the earlier artists' film and video-making practice
In Lis Rhodes's expanded cinema piece Light Music (1973) two beams of light, thrown by two projectors sitting on the floor facing each other, are made visible by fog created in the room. The patterns they project on the wall - stripes running up and across, white squares, quick flickers - are legible in the throw...
