Miguel A. López looks at current readings of key political events in Conceptualism, such as Tucáman Arde, to question what we understand of 1960s and 70s Latin American art.
Hélio Oiticica developed the concept of ‘tropicamp' in the text ‘MARIO MONTEZ, TROPICAMP' (1971) to critique the commercialisation of the New York avant-garde. These notes contextualise the essay, translated in this issue into English for the first time.
