Patrick Keiller has remarked that we now live in futurism's future, that future, which, from the historical avant-garde to last mid-century's space age, aspired to the radically new...
Fiontán Moran reviews Tate Modern's film programme 'Invocations and Evocations: Queer and Surreal', which looked at the shared sensibilities between Surrealist and queer experimental film-making.