It is hard to define whether the photograph of Julius Koeller's action of demarcating a tennis...
Bill Burns's exhibition at the ICA put a full supply of nature rescue gear on display....
Lucy Skaer's recent exhibition 'The Siege' (2008) at the Chisenhale Gallery in London presents a siege-scape...
The idea of 'taking the temperature' of the zeitgeist conjures images of rubber gloves and rectal...
'¿Habéis cedido a vuestro deseo?' ('Have you given in to your desire?'). These words, printed on...
For two weeks in June 2003 a large-scale sculpture appeared without ceremony in Paris's Quartier de...
Collaboration is often seen as a critical platform for art practice. Its communal mode of production...
Artist Lloyd Hamrol looks back on CalArts during the 1970s; as told to Audrey Chan on...
Steve Klee discusses the 'strange state' of Aernout Mik's videos in relation to the earlier artists'...
'I confess I do not believe in time,' wrote Nabokov in his autobiography Speak, Memory, which...
Writing in 1975 as he toured the United States in search of cultural authenticity, Umberto Eco...
Though Los Angeles is now considered a center for artistic production in the United States second...
In Chen Xiaoyun's first US solo show, 'Faint', the artist seems to ask us to consider...
Eight years after it opened, Porto's Museu Serralves has organised an ambitious historical survey that occupies...
'I think of filmmaking like architecture,' Robert Beavers writes in the program notes for his month-long...
In her recent show at Angles Gallery (2006), Judy Fiskin showed a grainy, black and white...
The paintings in John Noel Smith's most recent exhibition at Fenderesky Gallery each display an obdurate...
Yvonne Rainer was a key figure in New York throughout the extraordinary cultural re-evaluations that occurred...
War memorials bear the constant duty to point towards fragments of the past, framing and reifying...
The trouble with the group is there is always someone who wants to be the leader....
With every scrupulously placed graphite stroke, Vija Celmins's deceptively analytical drawings bear down on the question...