Autumn/Winter 2003

– Autumn/Winter 2003

Contextual Essays

Artists

Notes on the Subject Without Qualities: From the Cowboy Flaneur to Mr Smith

Walead Beshty

Tags: Roland Barthes, Walead Beshty

Every individual is on one hand the subject of cognition, that is to say, the complementary cognition of the possibility of the whole objective world, and on the other a single manifestation of that same Will, which objectifies itself in each thing. But this duplicity of our being is not founded in a unity existing for itself: otherwise we should be able to have consciousness of ourselves through ourselves and independently of the objects of cognition and willing: but of this we are utterly incapable; as soon as we attempt to do so, and, by turning our cognition inwards, strive for once to attain complete self-reflection, we lose ourselves in a bottomless void, find ourselves resembling the hollow glass ball out of whose emptiness a voice speaks that has no cause within the ball, and, in trying to grasp ourselves, we clutch, shuddering, at nothing but an insubstantial ghost.
- Schopenhauer, The World as Will and Idea

[The Subject without properties is] the philosophical figure for what becomes, with increasing literalness throughout the nineteenth century, the global ubiquity of the white European. His domination is virtually self-legitimating since the capacity to be everywhere present becomes a historical manifestation of the white man's gradual approximation to the universality he everywhere represents.
- David Lloyd, Race Under Representation

I am everyone, and no one. I am everywhere, yet nowhere.
- Darkman

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Patrick Bateman, the protagonist of Bret Easton Ellis's novel American Psycho, may stand as the most