Spring/Summer 2007

– Spring/Summer 2007

Contextual Essays

Artists

Events, Works, Exhibitions

Art and the Foreigner's Gaze: A Report on Contemporary Arab Representations

Pablo Lafuente

Tags: Catherine David

Who hijacked my religion? No, seriously! Who hijacked my religion? I turn on

the TV and see this guy explaining Islam. But he's talking nonsense. What

religion is this guy talking about?

- Baba Ali1

Does a land that has great poets have the right to control a land that has no

poets? And is the lack of poetry amongst a people enough reason to justify its

defeat? Is poetry a sign or is it an instrument of power?

Can't a people be strong without having its own poetry?

[...]

A people with no poetry is a defeated people.

- Mahmoud Darwish2

While, according to a recent poll, 80% of the British believe that 'political correctness' inhibits them from discussing Islam,3 news programmes in the UK (like the rest of the European media and, perhaps to a lesser extent, that of the US) are pregnant with 'Muslim issues', from reports on the war in Iraq or the Israel-Palestine conflict to polemics around the wearing of the veil by students or staff in comprehensive schools. Behind the reports and the discussions stands one common assumption: there are a certain set of values and practices, characteristically Muslim, which are incompatible with the typically Western, progressive mode of social organisation. The discussion that followed the publication of cartoons of Prophet Mohammed in the Danish newspaper Jyllands-Posten in September 2005 perfectly lays down the arguments at play. Flemming Rose, its culture editor, defended the commission and publication of the cartoons as simple freedom of expression, 'in response to several incidents of self-censorship in Europe caused by widening fears and feelings of intimidation in dealing with issues related to Islam.'