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Journal
Published three times a year, each issue of
Afterall
journal includes in-depth considerations of the work of contemporary artists, as well as essays on art history and critical theory.
Back Issues
– Autumn/Winter 2011
Contextual Essays
Unrepresentable Enemies
‘Dig the Diversity in Unity’: AfriCOBRA’s Black Family
Semiotic Ghosts: Science Fiction and Historicism
Artists
Jean-Luc Moulène
Jean-Luc Moulène: A ‘Plasticien’
Jean-Luc Moulène: Photography as Training Manual
Emily Wardill
Circuits and Subterfuge: Emily Wardill and the Body Imaginary
The Allegorical Impulse, Revisited: Emily Wardill, in Fragments
Ricardo Basbaum
Ricardo Basbaum, Or That Elusive Object of Emancipation
Post-Participatory Participation
Lia Perjovschi
Lia Perjovschi: Economy and Collection of Care in Transition
Events, Works, Exhibitions
TROPICAMP: Some Notes on Hélio Oiticica’s 1971 Text
MARIO MONTEZ, TROPICAMP
– Summer 2011
Contextual Essays
Disobedient Video in France in the 1970s: Video Production by Women’s Collectives
Letter to the Editor: Disobedient Video
Artists
Dexter Sinister
A Flibbertigibbet, a Will-o’-the-wisp, a Clown (Or 10 Reasons Why Graphic Design Is Not the Issue)
Minerva Cuevas
Minerva Cuevas: Anarchy in the Hive
Minerva Cuevas and the Art of Para-sitic Intervention
Andrea Zittel
ABC West: On Playgrounds and Andrea Zittel
A–Z West in Context: A Spatial Analysis
Jef Geys
Jef Geys’s Art-Making Ethics
The Really Ignorant Schoolmaster: Jef Geys, Amongst Many Others
Events, Works, Exhibitions
Sympathy Is a Bridge for Ideology: Phil Collins’s Adventures in Marxism
Mapping the Terrain, Again
– Spring 2011
Contextual Essays
Alliances for Unlearning: On Gallery Education and Institutions of Critique
Art after Primitive Accumulation: Or, on the Putin-Medvedev Cultural Politics
Artists
Group Material
Citizen Artists: Group Material
Counter-Time: Group Material’s Chronicle of US Intervention in Central and South America
Isidoro Valcárcel Medina
The Everyday Fact as Peripety
Isidoro Valcárcel Medina’s Constellations
Catherine Sullivan
Fixed Explosive: Catherine Sullivan's Choreography of Stasis
Virtuosity and the Survival of the Subject: On Catherine Sullivan
Abstract Honduras
Excerpts - The Last Days of British Honduras
Events, Works, Exhibitions
The Mass Ornament — Revisited: Reading From Hans Eijkelboom’s Photo Notes
‘This Exhibition Is an Accusation’: The Grammar of Display According to Lina Bo Bardi
Pretexts: The Evidence of the Event
Late, Latest, Last: Afterthoughts and Footnotes on Godard’s Film Socialisme
– Autumn/Winter 2010
Contextual Essays
Photographs and Silhouettes: Visual Politics in Argentina
Another Criterion… or, What Is the Attitude of a Work in the Relations of Production of Its Time?
Artists
Zoe Leonard
The Archivist of Urban Waste: Zoe Leonard, Photographer as Rag-Picker
Goats, Lamb, Veal, Breast: Strategies of Organisation in Zoe Leonard’s Analogue
Želimir Žilnik
Shoot It Black! An Introduction to Želimir Žilnik
Concrete Analysis of Concrete Situations: Marxist Education According to Želimir Žilnik
Rabih Mroué
The Body on Stage and Screen
Conciliations: Witness and Spectator
The Fabrication of Truth
Judith Hopf
Vita passiva, or Shards Bring Love: On the Work of Judith Hopf
On Entering the Room
Events, Works, Exhibitions
Karl Holmqvist: Making Space
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