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Journal
Published three times a year, each issue of
Afterall
journal includes in-depth considerations of the work of contemporary artists, as well as essays on art history and critical theory.
Back Issues
– Autumn/Winter 2012
Contextual Essays
Crisis, Migration and the Death Drive of Capitalism
Artists
Almagul Menlibayeva
Almagul Menlibayeva: Wanderings and Incarnations
Almagul Menlibayeva: The Female as Excess
Ivan Kožarić
Ivan Kožarić: ‘Freedom Is a Rare Bird’
Ivan Kožarić: A Feeling of Wholeness
Boudry/Lorenz
Repetition and Change: The Film Installations of Pauline Boudry and Renate Lorenz
Lukas Duwenhögger
Lukas Duwenhögger: [Homosexual] Signs
Sven Augustijnen
Documentary as Anti-Monument: On Spectres by Sven Augustijnen
Neither Fish nor Fowl, but Real Bodies: The Films of Sven Augustijnen
Slavs and Tatars
Beyond Nonsense: What Slavs and Tatars Make
Events, Works, Exhibitions
The Pull of Violence: Paul Chan's Trilogy of War
Information Crossings: On the Case of Inconnu's 'The Fighting City'
– Summer 2012
Contextual Essays
Artistic Labour, Enclosure and the New Economy
Artists
Jimmie Durham
Stone as Stone: An Essay About Jimmie Durham
Jimmie Durham: For the Price of a Magazine
Yael Bartana
Loudspeaker and Flag: Yael Bartana, from Documentation to Conjuration
Eduardo Molinari
A Conversation Between Eduardo Molinari and Nuria Enguita Mayo
Archivo Caminante: Constellations and Performativity
Theaster Gates
Theaster Gates: Radical Reform with Everyday Tools
ruangrupa
Who Cares a Lot? Ruangrupa as Curatorship
Ruangrupa: A Conversation on Horizontal Organisation
Events, Works, Exhibitions
Envisaging Spatial Crisis: 'On Capital and Territory' and the Diagnosis of the Present
Grizedale Arts: Use Value and the Little Society
– Spring 2012
Contextual Essays
Temporality, Sociality, Publicness: Cinema as Art Project
The Operation Was a Success But the Patient Died
Artists
Moyra Davey
Moyra Davey: Slack Time
Pygmalion Desire in Les Goddesses
Wendelien van Oldenborgh
Interzone: On Three Works by Wendelien van Oldenborgh
Wendelien van Oldenborgh: ‘The past is never dead. It’s not even past.'
Eugenio Dittborn
Disarmed and Equipped: Strategies, Politics and Poetics of the Image in Eugenio Dittborn’s Airmail Paintings
Correcaminos VII/ Roadrunner VII, 2012
No Man’s Land Paintings
Dierk Schmidt
Image Leaks: Dierk Schmidt’s Critical Opening of a Permeable Medium
Dierk Schmidt: Packing the Hard Potatoes
Events, Works, Exhibitions
‘Useful Life’: Reflection Among Exhibition Frenzy (Shanghai, 2000)
Robert Kelly and Robert McNamara: Extended Narrative versus Data Mining
– Autumn/Winter 2011
Contextual Essays
Unrepresentable Enemies
‘Dig the Diversity in Unity’: AfriCOBRA’s Black Family
Semiotic Ghosts: Science Fiction and Historicism
Artists
Jean-Luc Moulène
Jean-Luc Moulène: A ‘Plasticien’
Jean-Luc Moulène: Photography as Training Manual
Emily Wardill
Circuits and Subterfuge: Emily Wardill and the Body Imaginary
The Allegorical Impulse, Revisited: Emily Wardill, in Fragments
Ricardo Basbaum
Ricardo Basbaum, Or That Elusive Object of Emancipation
Post-Participatory Participation
Lia Perjovschi
Lia Perjovschi: Economy and Collection of Care in Transition
Events, Works, Exhibitions
TROPICAMP: Some Notes on Hélio Oiticica’s 1971 Text
MARIO MONTEZ, TROPICAMP
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