Nasreen Mohamedi

• Passage and Placement: Nasreen Mohamedi
• Making the Maximum of the Minimum: A Close Reading of Nasreen Mohamedi

Heimo Zobernig

• From A(rt) to Z(obernig) and Back Again
• Reading Zobernig Through Vaudeville: ‘My God, a black square.’

Michael Rakowitz

• ‘A Visionary Dream, Unrealized’: The Drawings of Michael Rakowitz

• Storytelling

Omer Fast

• From Homer to Omer Fast

• Omer Fast: When Images Lie... About the Fictionality of Documents

Enrico David

• Ode to the Chicken Man Gong
• Enrico David: Publicly, Privately

Goshka Macuga

• Friendship of the Peoples: On the Work of Goshka Macuga
• Knowing This...

Lothar Baumgarten

• Frontier Brokers
• On Language and the Public Art of Lothar Baumgarten

Kai Althoff

• Pictures from a Damaged Life
• Agonies and Ecstasies: Kai Althoff’s Dreamworks

Hito Steyerl

• For a Populist Cinema: On Hito Steyerl’s November and Lovely Andrea
• Minor Findings and Major Tendencies

The Red Krayola

• Former Reflections Enduring Doubt
• The Red Crayola/The Red Krayola: An Approachable Subject

Jim Shaw

• The Artless Dodger: Jim Shaw and His Endless Compendium
• Jim Shaw’s Real Mirage: A Partial Inventory

William Pope L

• Hole-ly Moly: The Work of William Pope.L

• Pain Should Not Be Ignored: On Facing One’s Bogeyman

Javier Téllez

• El sueno de la razon produce monstruos: On the Work of Javier Téllez
• Acting Naturally: The Face and the Mask

Cameron Jamie

• Suburban Attractions
• The Other Who Is Oneself: Cameron Jamie

Sturtevant

• Sturtevant: On Art and Its Time
• Sturtevant in Conversation with Bruce Hainley